
a scene from the 1972 film "Four Dimensions of Greta." Tacky British sleaze at its most glorious and dubious - featuring possibly the worst German accent ever committed to film, enough pubic hair to stuff two sofas, and some of the worst acting and limb contortions ever seen. Greta was Britain's ...
One of Kay Parker's earlier films (she was still using the name "Jill Jackson"), THE UNTAMED is an episodic sex comedy from the director behind DESIRES WITHIN YOUNG GIRLS, which would unfortunately be his crowning achievement. His subsequent films (this and SEXUAL ENCOUNTERS OF EVERY KIND) are ...
Grindhouses would specialize in showing the stuff you probably wouldn't take your mother to see, as the films were often extremely graphic, sleazy, contemptible, and schlocky in nature from both foreign and domestic distributors...blaxploitaion, sexploitation (hard and soft core), hixploitation, ...
An early sexploitation film, filled with wild parties, sex out of wedlock, lesbianism, etc. The opening credits were a little hard to read, so I re-did them. None of the wording has been altered. Otherwise the film is presented just as it always has been.
An early sexploitation film, filled with wild parties, sex out of wedlock, lesbianism, etc. The opening credits were a little hard to read, so I re-did them. None of the wording has been altered. Otherwise the film is presented just as it always has been.
An early sexploitation film, filled with wild parties, sex out of wedlock, lesbianism, etc. The opening credits were a little hard to read, so I re-did them. None of the wording has been altered. Otherwise the film is presented just as it always has been.
An early sexploitation film, filled with wild parties, sex out of wedlock, lesbianism, etc. The opening credits were a little hard to read, so I re-did them. None of the wording has been altered. Otherwise the film is presented just as it always has been.
An early sexploitation film, filled with wild parties, sex out of wedlock, lesbianism, etc. The opening credits were a little hard to read, so I re-did them. None of the wording has been altered. Otherwise the film is presented just as it always has been.
To close this spotlight on the obscure Anthony Spinelli thriller NIGHT CALLER, we reach the climax of the film, where Robert finally has the object of his twisted desires all to himself. Posing as the hero who will scare off the obscene phone caller, he slyly reveals his true identity to her and ...