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When I practice scales, I almost never just play the scale alone unless I am out and about. I think this stuff is better learned when put into an appropriate musical context. The scales are listed below. Practice playing the scales over the backing track and then generalize the sound of the scale juxtaposed to the chord by playing whatever comes to mind. Keep time with the music and work on phrasing during the progression. You can also practice playing the chord tones against the chords, I delineated them with 1st inversion chords, try to stay away from always playing roots with Chord tones, that's the bassist's job! I tried to keep theory talk out of this vid as much as possible but in future videos I'll demonstrate how these modes are a precursor to playing changes and especially the ii-V-I which is something every musician should know. The greek modes: C = Ionian/major CDEFGABC D = Dorian DEFGABC (funk/blues/jazz) E = Phrygian EFGABCDE (Mid-east/Spanish/Jazz) F = Lydian FGABCDEF (Jazz/Folk) G - Myxolydian GABCDEFG (Blues/Rock/Country) A = Aoelian ABCDEFG (Folk/Latin/Jazz) B = Locrian BCDEDFAB (Algerian/Jazz/Ethinic) Scale-Tone Chords of the C major scale 1. Cmaj7 = E - G - B - C 2. Dm7 = F - A - C - D 3. Em7 = G - B - D - E 4. Fmaj7 = A - C - E - F 5. G7 = B - D - F - F 6. Am7 = C - E - G - A 7. Bø = D - F - A - B The backing track is available at: http://www.buddhasgarden.net/music/the_modes.mp3 The plan is to eventually visit each and every key on it's own. All major and minor scales
Part one: Almost every harp player I have heard play over this song, misses the half step changes. The change don't require overblows and I demonstrate how it can be done using only simple bends. I purposely tried not to mention music theory to keep it accessible to all levels. I will post the ...
(D Harp) Playing the Major scale in 1st, 2nd, and 3rd Position and applying that over a typical 3 chord blues tune. Remember to visiy www.jasonricci.com!!!!
C harmonica: All of my "How To" videos are collected here in this group: http://www.youtube.com/groups_videos?name=HarmonicaEnthusiasts I try to share some wealth of harmonica how to early on a Sunday morning... (C major diatonic harp, the most common one) Also, I try to answer questions ...
The next time you find yourself at a jazz jam and call a blues, this is probably the style of blues you will play. Bb Blues in 11th on a C diatonic harmonica is the perfect position for a jazz jam. The demonstration uses a C harp and and Eb harp. The backing tracks I made can be found here: ...
the full theme and an improvisation on it